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2 Oct, 2012

Elliott Carter - Ursula Oppens, Arditti String Quartet* - Chamber Music (CD, Album)

The Complete Music for Piano. Elliott Carter ; Charles Rosen. Elliott Carter. Chamber Music. Early Chamber Music of Elliott Carter. Elliott Carter ; Chicago Pro Musica. What Next? An avid chamber musician, Ms.

Oppens has performed with the Arditti, Juilliard, Pacifica, and Rosetti quartets, among others. Oppens launched Mr. In fall , Ms. First encouraged toward a musical career by his friend and mentor Charles Ives, Carter was recognized by the Pulitzer Prize Committee for the first time in for his groundbreaking String Quartet No.

This astonishing late-career creative burst has resulted in a plethora of new works. The first few weeks of brought a pair of acclaimed new scores: Micomicon, a witty concert-opener for the Boston Symphony Orchestra, and the incisive Dialogues for piano and large ensemble, commissioned by the London Sinfonietta. Carter continues to show his mastery in smaller forms as well. Along with a large number of brief solo and chamber works, his later years have brought major essays such as the Quintet for piano and winds , String Quartet No.

Piano Sonata: Theodore Pressser Company. Your Shopping Cart Close. Those vocal works are framed by instrumental pieces - the piano Quintet, and a pungent performance of the Quintet for piano and wind from , and miniatures for string quartet and solo piano. Had it been released even a month sooner, it certainly would have made my subjective list of "essential" Carter recordings, as it includes a number of significant works in brilliant performances: two quintets for chamber forces, two large-scale works for solo voice and ensemble, and two miniatures.

The first composition featured here is Fragment II for string quartet, played by the Arditti String Quartet who have also recorded hallmark renditions of everything else that Carter has written for quartet. Unlike Fragment I , a work consisting entirely of harmonics, Fragment II features a full complement of playing techniques arco, pizzicato, etcetera. It is principally comprised of relatively serene music, with sustained notes contrasted by brief solo interjections from each of the players.

In a bit of ingenuous programming, the Quintet for Piano and Strings follows, and the transition from one work to another is nearly imperceptible. In addition to the obvious timbral relationship, this is perhaps also the byproduct of a similar harmonic field; late Carter is typified by a relatively small selection of chords mostly all-interval tetrachords and hexachords.

For this performance, the Arditti Quartet are joined by pianist Ursula Oppens, who attacks the formidable piano part with an appealing combination of virtuosity and crisp rhythmic articulation.

The Arditti match her with lean incisiveness, careful phrasing and a wide gamut of dynamic contrasts. The two vocal works are sequenced together the middle of the disc. Syringa , for soprano, baritone and ensemble, is the only work included here that was written prior to the s, but in no way does it seem out of place. NY new music mainstay Jeffrey Milarsky conducts the Ensemble Sospesso in a well-coordinated and controlled performance.

Shelton is really the "go-to" soprano for this repertoire, with a flexible, attractive instrument and impressive pitch. The Quintet for Piano and Winds is next. This work calls for fiendishly difficult ensemble coordination, and has a monster of a piano part. In fact, each part could be said to be a "monster"; all require tremendous agility and technical assuredness from their respective interpreters.

That said, even within this angular environment there is still a certain jaunty grace, a lightness, that permeates the quintet. Carter demands that his performers make the difficult seem easy, like the tricks performed by circus acrobats, and they never let the audience see them sweat!

If I hadn't had the score in front of me, these particular performers would have hidden many pitfalls from my attention, as well as any sense of strain. The disc ends as it began, with a miniature. Retrouvailles , for solo piano, is performed by Ursula Oppens. Within two minutes and with only two hands, Oppens portrays the myriad gestural characters and sonorous colors woven by Carter into this deliciously enigmatic piece.

It whirls past almost before you can grasp it, seeming to promise more music ongoing beyond its double barline. In like fashion, despite being a generous 79 minutes in duration, Quintets and Voices may leave you wanting more Carter after the disc stops spinning. String Quartet No. Introduction Elliott Carter. Giocoso Elliott Carter.

Interlude I Elliott Carter. Lento espressivo Elliott Carter. Interlude II Elliott Carter. Presto scorrevole Elliott Carter. Allegro energico Elliott Carter. Best Thang Smokin'. Young Dro. Ensemble Avantgarde. Rolf Schulte. Photo Courtesy. Elliot Carter: String Quartets ; Elegy. Arditti Quartet. Recording Supervision. New Music With Guitar, Vol. The Music of Elliott Carter, Vol. Elliott Carter: What Next?

Liner Notes, Primary Artist. Elliott Carter: Quintets and Voices. Text Translation. Musik in Deutschland , Vol. Robert Whitney. Nouvel Ensemble Moderne. American Piano Sonatas. Contemporary Music for Saxophone.

Timothy McCallister. Southwest Chamber Music. Romantic Approach. Merchant of Venice by William Shakespeare. Orson Welles. American Contemporary Clarinet. Newdance: 18 Dances for Guitar. Blow: Saxophone Music from America. Aurelia Saxophone Quartet. Composer, Primary Artist.

Elliott Carter: The Complete music for Piano. Carolyn Hove. Oppens Plays American Piano Music. Please enter your name. The E-mail message field is required. Please enter the message. Please verify that you are not a robot. Would you also like to submit a review for this item?

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She is an avid chamber musician and has performed with the Arditti, Cassatt, and Pacifica quartets. Oppens has premiered works by such leading composers as Luciano Berio, Elliott Carter, John Corigliano, Anthony Davis, John Harbison, Julius Hemphill, Laura Kaminsky, Tania Leon, Witold Lutoslawski, Conlon Nancarrw, Tobias Picker, Frederic.

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9 thoughts on “Elliott Carter - Ursula Oppens, Arditti String Quartet* - Chamber Music (CD, Album)”

  1. Ursula Oppens; Arditti String Quartet: Elliott Carter: Chamber Music Auvidis Montaigne MO () Buy: 90+ () Duo for Violin and Piano () Figment () Fragment No. 1 () Sonata for Violoncello and Piano () String Quartet No. 5 ().
  2. Elliott Carter, Ursula Oppens, Arditti String Quartet - Carter: Chamber Music (5th String Quartet, 90+ for Piano, Sonata for Cello and Piano, Figment for Cello Alone, Duo for Violin and Piano, Fragment for String Quartet) - Music5/5(1).
  3. Carter, Elliott, Arditti String Quartet, Ursula Oppens - Carter: Chamber Music (5th String Quartet, 90+, Sonata for Cello and Piano, Figment for Cello Alone, Duo for Violin and Piano, Fragment for String Quartet) - Music.
  4. Find album reviews, stream songs, credits and award information for Carter: Chamber Music - Arditti Quartet, Ursula Oppens on AllMusic -
  5. Elliott Carter - Ursula Oppens, Arditti String Quartet* Elliott Carter - Ursula Oppens, Arditti String Quartet* - Chamber Music ‎ (CD, Album, RE) Montaigne: MO France: このバージョンを .
  6. The music is expansive and concise, light-hearted and dramatic all at once, and it is played to perfection by Ursula Oppens and the Arditti Quartet, the performers for whom it was written. The Arditti also provides the first recording of the brief, haunting Fragment II for string quartet (not to be confused with the FIGMENT No. 2 for solo cello)/5(3).
  7. The Arditti Quartet was the first to record Elliott Carter's first four string quartets -- this is the reissue of those recordings, originally on two separate discs, released in No remastering has been done, only the packaging is improved, with an elegant slimline disc, new cover art, and some new photos.4/4(4).
  8. American composer Elliott Carter's String Quartet No. 5 is a composition for string work was composed between January and July , as a commission for the Arditti Quartet by the city of Antwerp (in its year as City of Culture ()), by the Wittener Tage für neue Kammermusik, by the Festival d'Automne à Paris, and by Lincoln Center, New York.
  9. Elliott Carter - Oppens*, Arditti String Quartet* Elliott Carter - Oppens*, Arditti String Quartet* - Chamber Music (Album) 2 versions: Montaigne: MO France: .

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