Category: DEFAULT

2 Oct, 2012

Inner Space - Yasunori Mitsuda - Xenosaga Episode I (CD)

The piano version of "Pain" recorded for the re-release does offer something different, however, a warm melodic line being enhanced by a subtle performance from Yasuharu Nakanishi, demonstrating elegance in simplicity.

This, together with the fascinatingly layered orchestral and choral theme "World to be Born," are the two brand new tracks featured in this re-release. The outcome of this original score is in some ways quite variable: On one hand Xenosaga Episode I: Der Wille zur Macht boasted some of the best programmatic music written for VGM as far as the cinematic sequences are concerned; however, the music to accompany the non-cinematic gameplay was insufficient in quantity to provide a full musical backing to the game, and it was therefore foolishly ignored.

Nonetheless, Mitsuda's music is a source of endless delight and leaves an amazing impression: the action tracks are breathtaking though a little too dominant ; the emotional tracks are strongly heartfelt; and the other tracks present expand upon the great diversity of styles integral to this score. The fully orchestral tracks and the three chorales certainly prove the most established tracks in the soundtrack. Whether this is because Mitsuda's composition is genuinely better here or whether the London Phil.

Still, no track is undermined by the quality of the next, with tracks for solo instrumentals, small ensembles, large ensembles, and pre-recorded synth all coming together to create impressive and highly distinguished results, even if the first disc is likely the one most will endlessly revisit. Hopefully my review brought you round full circle into assessing the heroic voyage none other than Xenosaga Episode I. Despite the split of pre-recorded and sequenced themes in this re-release disrupting the flow of the soundtrack slightly, the bonus of five excellent new recordings and two brand new tracks are sufficient reasons to buy Sleigh Bells' version, which is also more true to Yasunori Mitsuda's original intentions.

It would be inexcusable not to pick the album up if you have the opportunity to buy it. Body The production of the game Xenosaga Episode I: Der Wille zur Macht from Monolith Soft was one of epic proportions: the game was to be heavily cinematic; it was to rely greatly upon a sci-fi based storyline; and it was intended to have extensive gameplay. Summary Hopefully my review brought you round full circle into assessing the heroic voyage none other than Xenosaga Episode I. Furthermore, it has new album art and a new tracklist order, and is remastered.

Soundtrack consists of 47 tracks tracks with duration over more than 2 hours. Album was released by Sleigh Bells. Have something to say? Do it! Album has no ratings. Be the first! Page views: 0 persons have this album in collection. Back Back. Antebellum Original Motion Picture Soundtrack. Project Power Music from the Netflix Film. Creaks Original Game Soundtrack. Bury the Light. Tomori Kusunoki. All rights reserved. Full or partial copying is strictly prohibited.

All trademarks, logos and images are belong to their legitimate owners. Sign up Forgot password? U-TIC Organization. Spacecraft Pursuit , Relief , Everyday Life , MODE , Durandal , Enemy Ship Invasion , Kookai Foundation , Anxiety , Panic , Song of Nephilim , Inner Space , Albedo , Proto Merkabah , Last Battle In the Beginning, There was….

First Meeting , Xenosaga II [Opening Theme] , Assault , Strain: Jin , Here He Comes , Chase , Surrounded , Lamentation , Communication Breakdown , Sakura -Piano Version- , Strained , II , In the Beginning, There was… II , Battle of Elsa , Battle of Elsa II , Gate Out He took piano lessons as a child, but he was more interested in sports and never took music seriously.

He also got interested in PCs at an early age, and he taught himself to program simple songs and games. After high school, he moved to Tokyo and attended the Junior College of Music. Despite the school's low prestige, Mitsuda received solid instruction from his professors, most of them practicing musicians who would take Mitsuda to gigs with them to help carry and set up equipment.

The event, titled "The Brink of Time", included Mitsuda performing on the piano, guitar, and Irish bouzouki. Mitsuda's music has been heavily remixed by fans, sparking several albums. Another popular album release was Chrono Symphonic , an unofficial download-only album release by the remix website OverClocked ReMix on January 3, , containing 25 remixes.

From Wikipedia, the free encyclopedia. Yasunori Mitsuda. Video game world orchestral vocal. Piano guitar Irish bouzouki. Brown [56]. Retrieved November 10, Our Millennial Fair. Retrieved November 2, Archived from the original on June 11, Retrieved November 3, Retrieved August 27, Game Music Online. Retrieved August 18, Brady Games. NTT Publishing. Procyon Studio. Archived from the original on May 3, Retrieved May 11, Archived from the original on May 6, Archived from the original on January 24, Retrieved January 24, Video Game Music Online.

Retrieved January 12, You probably can't tell, but it's not orchestrated, yet it sounds so good you won't care if it's synthesized or not. Last but not least, this battle theme is pretty intense, and does give the impression that you're fighting something real nasty.

At some point we get a quiet interlude, then the track repeats, which makes it really stand out. It gives off the feel of urgency, that something really bad is going on It uses a technique known as the flutter-tonguing on the flute and has a good deal of chants. I don't why, but I happen to really like this track. Anyhow, Disc One has more goodies, but it's up to you to discover them. Disc Two contains more choral tracks and other really outstanding tracks. First off we get "Anxiety," a 4 minute long piece.

It has a lot of variety, starting off from very calm music and going to a fear-inducing passage featuring some piano, some violin, and some other instruments which I can't identify. It is very enjoyable to listen, and definitely one of the high points of Disc Two.

It starts off with some organ, then some voices join in, in which the saddening factor is increased greatly. I can't listen to this without nearly shedding a tear, it's that emotional. It must be used for a saddening scene obviously. The Latin lyrics makes it sound sacred, but when the drum joins in and the chorus gets louder, it only gets better. It is an operatic piece and at a point the voices get very loud and intense. It's quite creepy but it must fit its purpose really well as a villain's theme.

It starts off with Sci-Fi sound effects, but soon we hear some chorals, as if to imply 'This fiend is NOT to be messed with. It only gets better and better. It's a shame the track dosen't repeat, because it is VERY good. At one point you'll hear a chorus, at another point some wicked organ, and then some violin. This really sounds like the battle to end all battles.

It's very powerful, and though not as intense as "Omega," it's good nonetheless. After the "Last Battle", we are treated to some fantastic vocal songs. Yep, Joanne Hogg who made her first appearance on Xenogears returns in Xenosaga , and she delivers two of the most beautiful songs to be heard in a video game, "Pain" and "Kokoro. Should you buy this soundtrack? Essentially, yes. You have no excuse not to listen to the score. However, take note that this particular soundtrack is no longer available due to DigiCube's bankruptcy.

Fortunately, however, Mitsuda has released Xenosaga Episode I under his own label; this features every item on this score, plus a few extra goodies.

Get it now, if you haven't already! Xenogears Original Soundtrack was one of my favorite albums of all time, but when I received my copy of the Xenosaga Original Soundtrack and played it all the way through, I had mixed feelings and thoughts. For one, it had some truly outstanding pieces and the London Philharmonic Orchestra's performances of some of the tracks boosted my respect for the album. But on the other hand, some of the tracks were too dark and empty, thus putting people off the album.

Let's take a more in-depth view at some of my favourite tracks. The album starts off strong with "Prologue," the first theme performed by the London Philharmonic Orchestra. It represents a change of style from Mitsuda's Celtic charm with strings, choirs, brass, and more.

After the strong predecessing track, we are treated to "Opening," an electronic fusion track with a hint of orchestral flair. It may take a while to get used to this track, but it is a work of genius. Also early on in the album is the action-packed "Battle," which sounds similar to Xenogears battle theme "Stage of Death".

Expect to hear loud horns, exploding strings, and a medieval-like solo towards the end of this track. The introduction of the album is topped off by the Egyptian-inspired track, "Gnosis". It is magnificently performed by the London Philharmonic Orchestra and represents the Gnosis character well.

Further into the soundtrack, considerable diversity becomes evident. The ominous feeling it produces is very effective while the choir completes the feeling by singing some inaudible Latin phrases.

Also included are three solo solo choir performances. The first of these, "Ormus," is slow but complex in its own right — a very serious and thoughtful experience overall — though "The Resurrection" is perhaps stronger given it evokes human emotion much more with its rich phrasing while "The Miracle" is much more aggressive.

To emphasise diversity further, the haunting "Nephilim" and the traditional English piece "Greensleeves" are two of several solo piano pieces that both boast beautiful melodies. There are also two vocal ballads, "Pain" and "Kokoro," that are similar in style to Xenogears ' themes; they do their job, but nothing more. The latter half of the soundtrack is a darker experience overall. Opening with a cool organ solo, Mitsuda develops it into a dramatic and mysterious full-orchestral masterpiece performed by the London Philharmonic.

It starts off with wailing choirs and then turns vicious with fast strings and an overdubbed electric guitar performed by Tomohiko Kira. The piece starts as a quartet of piano, two sets of strings, and harp before becoming more intense as a drum beat and organ enters. After all those great pieces and good news, sadly there is some bad news. If you are a fan of Chrono Cross or Chrono Trigger , you are probably not going to love this album as much because it lacks melodic variation in comparison.

Further, if you a fan of Xenogears , don't go buying the album thinking it is similar, as it's much darker, less melodic, and less sentimental. Nonetheless, all this is made up for the fact that creativity, originality, and pure genius combine to create some truly outstanding themes and an overall epic experience.

It's reprint, Xenosaga Episode I , is the best way to buy this. Do consider it! I am a somewhat peculiar specimen in the vast industry of game soundtrack reviewers. While it seemed that everyone and their mother was praising Xenogears as one of the greatest soundtracks of all time, I actually found it to be quite disappointing.

Jun 12,  · 50+ videos Play all Mix - Margulis - Xenosaga Episode I OST - Yasunori Mitsuda YouTube Inner Space - Xenosaga Episode I OST - Yasunori Mitsuda - Duration: Max Galactica 60 views.

About : Shale

8 thoughts on “Inner Space - Yasunori Mitsuda - Xenosaga Episode I (CD)”

  1. The first episode in the series was Xenosaga Episode I: Der Wille zur Macht, released in Designed as a spiritual successor to Xenogears, the game was worked on by much of the same staff, including the composer Yasunori Mitsuda. For the game, Mitsuda composed a score that is mostly orchestral in nature, using the London Philharmonic Orchestra for several onancribpassrefcu.gestsoulucurfeicompprettherstertemptawars.co: DigiCube.
  2. May 19,  · View credits, reviews, tracks and shop for the CD release of Xenosaga Episode I on Discogs/5.
  3. View credits, reviews, tracks and shop for the CD release of Xenosaga Episode I (Original Soundtrack) on Discogs. Label: Miya Records - MICA~9 • Format: 2x, CD Unofficial Release • Country: Taiwan • Genre: Electronic, Pop, Classical, Stage & Screen • Style: Soundtrack, Modern Classical, Contemporary, Ballad, Ambient Inner Space 4/5(1).
  4. Inner Space is a song from Xenosaga Episode I. It is track on the Xenosaga Episode I Original Soundtrack, having been composed by Yasunori Mitsuda. The song plays during the final level of the game. Xenosaga 1 - Inner Space.
  5. Jan 26,  · ProTools Operations: Suminobu Hamada (Wonder Station), Yasunori Mitsuda (PROCYON STUDIO) Locations: Hi.t Sound, ONKIO HAUS, PROCYON STUDIO, Takagi-Klavier Recording Coordinators: Kenichi Funayama (STUDIO GUIDO), Yasunori Mitsuda (PROCYON STUDIO) [XENOSAGA RECORDING STAFF (UK)] Recording Engineer: Matt Howe.
  6. Bootleg (CD) published by Miya Records on containing original soundtrack from Xenosaga Episode I: Der Wille zur Macht with compositions by Yasunori Mitsuda.
  7. Many RPG fans consider Yasunori Mitsuda to be the John Williams of video game soundtracks. This master composer produced and composed the music for games such as Chrono Cross, Xenogears, and now, Xenosaga. Once again, his efforts are nothing short of impressive. Listening to this CD is almost like listening to classical music/5(19).
  8. Inner Space, Yasunori Mitsuda Tải download nhạc chờ Inner Space,Yasunori Mitsuda.

Leave a Reply

Your email address will not be published. Required fields are marked *