Many researchers and partners in our network are interested in participating in projects to fight COVID In an effort to coordinate, they have identified at least 5 primary research axes against which they are already progressing:. The researchers are looking for proteomic and transcriptomic data together with meta information that will enable them to disentangle the impact of age, gender, and other biomedical factors on the interaction and severity of the COVID disease.
One example of an active research question is to understand the apparent resilience of young children to severe infection, which is somewhat atypical for such epidemics. Novel algorithms are needed for these types of data poor environments. Launched in , InVivo AI is developing novel algorithms capable of learning from small and noisy datasets. The resulting layout is shaped like an asymmetrical "8" because of the different shapes and sizes of the courtyards.
The attic housed the laundry and drying areas, forming an insulating space for the building and simultaneously determining the levels of the roof. One of the most notable elements of the building is the roof, crowned with skylights, staircase exits, fans, and chimneys. All of these elements, constructed out of brick covered with lime, broken marble, or glass have a specific architectural function but are also real sculptures integrated into the building.
The apartments feature plastered ceilings with dynamic reliefs, handcrafted wooden doors, windows, and furniture, as well as hydraulic tiles and various ornamental elements. Therefore, there were only elevators on every other floor, so people on different floors would meet one another.
The facade connects to the internal structure of each floor by means of curved iron beams surrounding the perimeter of each floor. This construction system allows, on one hand, large openings in the facade which give light to the homes, and on the other, free structuring of the different levels, so that internal walls can be added and demolished without affecting the stability of the building.
This allows the owners to change their minds at will and to modify, without problems, the interior layout of the homes. The facade is composed of large blocks of limestone from the Garraf Massif on the first floor and from the Villefranche quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like embrasures , and finally the body of the roof. In , the tailor Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance.
The ironwork was lost until a few years later, when Americans donated one of them to the MoMa , where it is on display.
With restoration initiatives launched in , the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating. The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building.
There are two patios on the side of the Passeig de Gracia and of the street Provence. Patios, structurally, are key as supporting loads of interior facades.
The floor of the courtyard is supported by pillars of cast iron. They form a point outside of the beam to two points above and below, making the function of the central girder a keystone and working in tension and compression simultaneously.
This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. Access is protected by a massive iron gate with a design attributed to Jujol. January 11, Archived from the original on June 6, Retrieved March 19, January Glas Javnosti in Serbian. July 7, June 26, Interviewed by Nadezhda Repina.
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My parents are Russian, from Tula. Milla is half Russian, half Montenegrin. But, I think, she considers herself of Russian descent". Sedmica in Montenegrin. Retrieved November 12, Interviewed by Olivier Zahm.
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